What I'm Working On Now
Three short films are in Post-Production, soon to be submitting to film festivals.
Producing/editing a pilot for a new web-series inspired by the Alice in Wonderland tales.
Producing/editing a documentary on Gene Roddenberry and the genesis of Star Trek The Original Series.
There are a number of other projects in development, just waiting their turn to be produced.
Producing/editing a pilot for a new web-series inspired by the Alice in Wonderland tales.
Producing/editing a documentary on Gene Roddenberry and the genesis of Star Trek The Original Series.
There are a number of other projects in development, just waiting their turn to be produced.
Wednesday, November 28, 2012
SHORT STORY: DUST Script
EXT. DUSTY ROAD IN THE MIDDLE OF NOWHERE - DAY
A sleek, black car is pulled off to the side of the road.
It's a classic. The drivers door is open and the hazard
lights are blinking. An OLD MAN is sitting slumped in the
drivers seat. His back is to us.
Day turns to night and back again. The man hasn't moved.
This road is almost never traveled on.
The distant RUMBLE of a car approaches.
The car pulls up and MARK, a young man in his twenties, gets
out of his car.
Mark begins to make his way to the drivers side door,
expecting the worst.
The Old Man's eyes are shut. He doesn't seem to be
breathing. There are cigarette butts and whiskey bottles
littered around him in the car. A small, ornate box sits on
the passenger seat next to him.
Mark goes to touch the old man but can't quite bring himself
to do it. He paces back and forth, running his hands through
his hair as he debates on what to do.
At last, Mark pulls out his cell phone and begins searching
for a signal.
OLD MAN
You can put that down. I'm not
dead.
The Old Man's voice is dry and gruff.
Mark stumbles in shock and drops his phone.
MARK
You're alive?
OLD MAN
So far today? Yes.
MARK
Well, anything wrong? Run out of
gas or something?
OLD MAN
Oh no,
The Old Man starts the car.
OLD MAN (CONT.)
This car hasn't given me any
problems for a long time.
He shuts the car off.
OLD MAN (CONT.)
Nope.
MARK
So what are you doing all the way
out here?
OLD MAN
(abruptly)
Waiting.
Mark looks up and down the road, surveying the landscape and
the emptiness that surrounds them.
MARK
For what?
The Old Man squints his eyes against the glare of the sun as
he appraises Mark.
OLD MAN
For you, I think.
Mark shuffles awkwardly as the Old Man continues to stare at
him with hungry eyes.
MARK
Look, if you need directions...
OLD MAN
Son, you could blindfold me, spin
me in circles and plop me down in a
cow pasture and I'd be able to tell
you in which direction Paris,
France is.
MARK
Right. Okay. Well I'll be going
then.
OLD MAN
I didn't say you could leave!
Mark waves the Old Man off and keeps walking back to his
car.
Mark tries to start his car but it won't.
MARK
Come on...Come on...Come on!
After several more tries he climbs out and goes back to the
Old Man.
OLD MAN (CONT.)
I told you, you couldn't leave.
MARK
First of all, you're not what's
keeping me from leaving. Second, my
car craps out on me all the time.
The Old Man nods, though looking more sarcastic than
believing.
OLD MAN
Are you familiar with the story of
Aladdin and the genie?
MARK
What? We're in the middle of
nowhere and you're asking-
OLD MAN
Humor me, Mark. I'm old and my mind
tends to jump around a bit.
Mark kicks at the dusty road and takes a few steps away from
the man and his car.
OLD MAN
You want a ride to the next town
with a good mechanic don't you?
Mark slumps and draws a deep breath before returning to the
car.
OLD MAN (CONT.)
That's more like it. Now where were
we?
MARK
You were about to take me into
town.
The Old Man makes a dry throaty snicker and settles back
into his chair.
OLD MAN
You're funny. Sit down. don't mind
the mess.
The Old Man gestures to the passenger seat and Mark walks
around the car to get in. He picks up the ornate box off the
chair and sets it on the dash before sitting down. The Old
Man does not start the car.
MARK
Well?
OLD MAN
Well what? I asked you a question
and I expect an answer.
MARK
You're serious?
OLD MAN
Mark, I've never been known for my
sense of humor. Probably because I
don't have one...Yes, I'm serious.
Aladdin and the genie?
Mark bobs his head against the headrest of the chair, unable
to believe the situation he's in.
MARK
I answer your questions, then you
drive me to the next town?
OLD MAN
That is our arrangement.
MARK
Aladdin finds a lamp, he rubs it,
the genie comes out and grants him
three wishes.
OLD MAN
Do you recall what he wished for?
MARK
(without thinking)
No.
OLD MAN
Try and remember.
Mark thinks, and as he does he casts his eyes around the
car, taking in his surroundings.
The cigarettes and whiskey bottles aren't the only thing
littering the inside of the otherwise nice car. Crumpled
newspapers, financial folders and stock reports cover the
majority of the floor.
As Mark continues to look around, his eyes rest on the
ornate box. It appears to be hand crafted. There's a small
latch keeping it shut.
Marks can't take his eyes off the box and the intricate
designs etched into the wooden surface.
At last the Old Man clears his throat and calls Mark out of
his revelry.
MARK
Gold?
The Old Man smiles at Mark like he were a child.
OLD MAN
Not quite. He wished for riches,
power, and everything else a man
could ask for. In essence, he
wished for good karma.
MARK
He even got the girl.
OLD MAN
And everything was grand until...
Mark takes another moment to think.
MARK
Until the lamp was stolen.
OLD MAN
And all that good Karma he'd
borrowed had to be balanced out.
MARK
He still ended up okay in the
story, though.
OLD MAN
That's because it's a story. In
real life when debts like that come
up, they tend to kill you.
MARK
Well thank goodness there's no such
thing as genies and magic lamps.
Can we get going now?
The Old Man wipes his brow again and looks out towards the
sun.
OLD MAN
Hand me that box there.
Mark grabs the ornate box and hands it to the Old Man.
The Old Man runs his fingers across some of the designs and
then flips the latch and opens the box. Mark can't see
what's inside due to the angle.
OLD MAN (CONT.)
The contents of this box have the
power to sway good karma in your
favor. All you have to do is ask.
Mark sits motionless as the Old Man offers him the box.
Inside is a pile of dust.
MARK
How long have you been out here?
OLD MAN
Did you ever have a pair of lucky
socks or something when you were
young? Or know someone who was just
naturally lucky?
The Old Man is still holding up the box for Mark to take.
Almost Pleading with Mark to take it.
Mark Nods.
OLD MAN (CONT.)
Luck's like a flip of a coin. Some
things can weight that coin in your
favor and a few people know how to
flip it so it's heads every time.
But luck isn't the same as Karma.
Luck doesn't care how much good and
bad you get.
MARK
(skeptical)
Karma cares?
OLD MAN
Karma's all about balance, my young
friend. You do good you get good.
You do bad you get bad. But this,
The Old Man gestures with the box of dust again.
OLD MAN (CONT.)
This dust has the power to weight
good karma in your favor...all you
have to do is ask.
The dust seems to be calling out to Mark as he feels it's
pull on him and he continues to stare at it.
MARK
(still skeptical)
Just like that you'll share your
magic lamp with me?
OLD MAN
No, the dust cannot be shared. The
only way it can change hands is if
it's stolen by or given to someone
who knows what it really is. And
I'm giving it to you.
MARK
What about all that karma must be
balanced stuff?
The Old Man shrugs.
OLD MAN
Before me, JFK had the dust. He got
it from Marilyn Monroe who got it
from some other guy who stole it
from Hitler. Before that I'm not
sure, though I think Rasputin had
it before the Romanov's stole it
from him.
BEAT.
MARK
All of those people died horrible
deaths.
The Old Man nods contemplatively.
OLD MAN
They certainly did.
MARK
So this dust gives you a great life
until you give it away or someone
steals it from you.
OLD MAN
If you overuse it, the price will
be quite high. If you're like me
and only use it a little here and
there...
The Old Mn shuts the box and hands it to Mark, who runs his
hands over the carved surface.
The two men sit quietly, both looking at the box of dust.
The Old Man coughs.
MARK
So why give it up? Why not hold
onto it until you die? Or better
yet, why not chuck the thing into
the ocean and forget about it?
OLD MAN
Go ahead and try to outlive your
time with the dust. try to throw it
into the ocean or into a volcano
even. It won't work. The dust won't
let you get rid of it unless you're
giving it away to someone who knows
what they're getting.
MARK
So why take the risk?
OLD MAN
I've often wondered that myself
over the years. Every time you feel
the dust being used in your life,
knowing you'll have to pay for it
later...But in the mean time you'll
be having one heck of a ride.
Mark holds the box out for the Old Man to take.
MARK
Yeah, well, that's one ride I don't
think I want to ride.
The Old Man gives Mark a pained smile. He doesn't take the
box. Mark offers it again and the Old Man refuses.
It dawns on Mark that he is the new owner of the dust.
MARK (CONT.)
(afraid)
What do I do?
The Old Man pats Mark on the shoulder.
OLD MAN
Whatever you want. Live the life
you've always dreamed of living, or
continue on in the life you have
now. The dust won't do anything for
you unless you let it...but it will
always be asking to be used, just
like the genie.
The Old Man stretches in his seat. He coughs again, this
time sounding more serious.
OLD MAN (CONT.)
Well, shall we?
The Old Man closes his door and tries to start the engine.
The car sputters and dies.
BEAT.
BLACK
* * *
This is script I'm working on for a short film I'll be shooting early next year. What do you think? Have you ever had anything that was Lucky?
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